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【不再‧不在-國際當代藝術聯展】作品介紹(I)

 
        不管在時間或空間中,人體皆具有一種神秘的穿透性,能與環境對應,並且改變身體去適應時空的變化;同時,人的身體也像是海綿般的實體,可以透過感官所傳達的感受去吸收與轉換環境因素,如同一個可以無限擴張的小宇宙。「感知滲透」創作計畫就是在這樣的概念下產生的。那不只是單純的人體攝影或行為表演,而是藝術家與舞者在一次次行為藝術表演中,相互激發、碰撞所完成的觀念藝術。以「感知滲透」為基礎,藝術家發展出「直到青苔」、「思路迴圈」與「褪色異旅」等作品,藉由不同類型的創作將存在意志這個抽象概念客體化。


    Despite time and space, the human body carries with it a mysterious penetrating ability, which is able to correspond to the surrounding environment by adapting to changes of time and space.  At the same time, the human body is also like a sponge.  Through feelings experienced by the senses, the body could absorb and alter various environmental factors; it is like a small cosmos with infinite expanding possibilities.  Project Perception Infiltration is an artwork based on this concept.  It is not simply a work of body photography or performance art; rather, it is a conceptual piece derived from the artist’s interactions and exchanges with the dancer from numerous performances.  With Project Perception Infiltration as a base, Kan has since developed other artworks, such as Until the MossLoops of Thought, and Faded Journey.  Through works of different genres, he attempts to form an objectification for the abstract concept of the will of the existence.

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